Phantom Hollow Body Bass

L.A. Kidwell has been developing a special design process that allows for unique sculpted designs that are repeatable in limited production. The Phantom bass is a another radical new design featuring a full 3D hand-carved hollow body. The Phantom is similar to the Manta bass but it is generally thicker feeling and the horns are pulled in making a little sleeker rake. The rear body bouts are pulled back allowing for more body chamber area than the Manta bass.
The neck extends through the hollow body to the bridge. There is airspace around the neck inside the body. The thru-neck provides superior sustain, strength, and appropriate weight and balance. Since the neck extends through the body, the fret board can be placed forward enabling the player to reach the 24th fret easily. The pickups are mounted to the neck, which further assists in transferring sound to the pickups. Several proprietary features of this neck design result in an incredible sustain that you wouldn't believe.
Although the instrument's body is hollow, it still has sufficient weight to not feel flimsy. The 3D body is contoured front and back so that it is very comfortable against the player's body. The body thickness increases to 2 inches in the middle allowing for a sufficiently large sound chamber yet retaining the feel of a solid-body instrument. The instrument is dimensioned so that it will fit in a standard P-Bass case.
With Bartolini pickups and active electronics, you have a wide range of control over the sound you can get from this instrument. By setting all equalization flat on both the instrument and the amplifier, you get a clear tone with incredible depth as well as brightness. You can hear the hollow body, but without the empty box tone that many hollow body basses exhibit.
The Phantom bass is available with several options, including: 4-string, fretless, and a solid body version. We also think this design would make an excellent electric guitar body design too.
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5-String Model Specifications |
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Neck |
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Scale Length |
34” |
Frets |
Two octave 24 fret |
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Nut Width |
1.85" |
Width at 24th Fret |
2.75" |
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Configuration |
Unique L.A. Kidwell floating neck-through design. |
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Wood |
Maple |
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Fingerboard |
Ebony |
Radius |
10” |
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Fret wire |
Jumbo |
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Position Markers |
White Mother of Pearl/Black Pearl trapezoidal shaped inlay |
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Side Dots |
3/32ndMother of Pearl dots |
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Truss Rod |
Double expanding |
Adjustment |
Hex at headstock |
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Reinforcement |
(2) Steel |
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Nut |
Brass – J-bass size |
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Headstock |
Laminated Birdseye Maple |
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Tuners |
Gotoh GB7 - Black (Hipshot Ultralights are optional) |
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Body |
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Construction |
2-piece hollow body construction with 3D sculpted top and back. The 2-piece body forms a hollow tone chamber. The top and back act as sound boards. |
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Wood (top to back) |
Top: Maple Rear: Mahogany |
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Bridge |
Shaller (Hipshot Type-A, or Custom Shop Contour Tail are optional) |
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Bridge String Spacing |
19mm between strings. |
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Strap Holders |
Standard - Black |
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Electronics |
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Neck Pickup |
Bartolini M45C Dual Coil Humbucker Soapbar |
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Bridge Pickup |
Bartolini M45C Dual Coil Humbucker Soapbar |
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Electronics |
Bartolini HR-4.6/918 3 Band Active EQ |
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Controls |
Master Gain, Blend, Treble/Bass Gain, Mid Gain with push/pull switch center frequency. |
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Knobs |
Hand made wooden knobs. |
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Access Cover |
Mahogany matched access cover. |
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Battery |
(1) 9V Transistor Battery |
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Instrument Jack |
Switchcraft deep panel stereo jack. Side mounted on bottom. |
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Shielding |
Copper foil tape lining the control cavity |
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Finish |
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Body |
Color changing paint on black lacquer base |
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Neck |
Antique amber with tung oil finish |
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Dimensions/Weight |
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Length |
Width |
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Weight |
7.5 lbs. or 3.4 Kilograms |
Balance |
Balances perfectly at the neck heel. |
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Case Size |
Fits a standard Fender-style bass guitar case |
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Pricing |
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List Price |
Call or email for a price quote |
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